Mary Elizabeth Braddon (1837 - 1915) was the absolute mistress of sensation fiction. She was
a literary super-star and constantly near the top of Victorian best-seller
lists. Braddon's private life was famously almost as sensational as her plots. Different sources give slightly varying details of her life, but Robert Lee Wolff's biography Sensational Victorian: The Life and Fiction of Mary Elizabeth Braddon
(1979) is perhaps the best source to get the facts reasonably right.
Even without much detail Braddon's life offers material for melodrama. She was born 1837 to
an apparently useless Cornish solicitor Henry Braddon and an extremely capable Irishwoman
Fanny. Henry exited the picture when Braddon was 4 or 5 years old, but Fanny Braddon made sure the
girl got a good, middle-class education. Then money ran out. With
her mother's support, Braddon made the unusual decision to become an actress and toured the theatres of the
north as 'Miss Mary Seyton.' In Yorkshire she caught the eye of John Gilby, a
patron, a friend, possibly a lover - no one quite knows what went on there. He
encouraged Braddon's literary aspirations by commissioning her to write a poem
about Garibaldi. He also helped to get her
novel The Trail of the Serpent
published in 1860. Around this time Braddon decided to leave the morally dubious
career of an actress and move to a more respectable profession of a novelist.
She also met publisher John Maxwell. He had five children and a wife in an
asylum in Dublin. That did not put Braddon off. Braddon and Maxwell became a couple. This was caused a scandal, but Braddon had no time to worry about this: she
now had Maxwell's ailing businesses and his children to support. Any writer's
block would risk the bread on the table. Lady
Audley's Secret began to appear as a serial in Maxwell's magazine Robin Goodfellow in July 1861, but in
September the magazine folded. Braddon moved on to write Aurora Floyd. She was also expecting her first child with Maxwell.
Then Sixpenny Magazine decided to
pick up Lady Audley in January 1862. Now
Braddon was writing two huge novels, juggling a baby and running Maxwell's
household on a tight budget at the same time. She was 27. It is
quite an achievement that Lady Audley's Secret
makes any sense at all. Of course it is all too easy to see Braddon's life
experiences reflected in the character of Lady Audley.
After Lady Audley (1862)
and Aurora Floyd (1863) came out
Braddon was financially secure. She went on to write, depending on who you believe, anything
between 70 and 90 novels - many of them published anonymously - ranging from
three-deckers to penny dreadfuls. Maxwell started a magazine for her to edit The Belgravia and she also contributed
articles and essays to other magazines. There were four more children with
Maxwell, and they married in 1874, after his wife died. Despite her career as a
writer who spouted out an endless stream of pot-boilers, Braddon has never been
considered totally without merit. Her contemporaries recognized that she had
some writing talent, and her works, Lady
Audley in particular, have remained in print and studied by academics. Perhaps
the best-known modern reading of Lady
Audley is by Elaine Showalter in her A
Literature of Their Own (1977). It gives a feminist view of the story and its heroine. Lady Audley is another tough cookie.
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