After his friend George Talboys vanishes into thin air,
Robert Audley turns into an amateur detective. He travels first to Southampton to
interview Captain Maldon, where he picks up a half-burnt telegram and puts it
in his pocket (Vol I, chapter 12). Then he journeys to Liverpool to inquire
about passenger lists for ships to Australia (Vol I, chapter 13). He
demonstrates the use of "inductive evidence" (Vol I, chapter 16). He writes down the known facts in bullet points (Vol I, chapter 13).
He gives Lady Audley a lecture on the "theory of circumstantial
evidence":
"that wonderful fabric which is built of straws
collected at every point of the compass, and which is yet strong enough to hang
a man. Upon which infinitesimal trifles may sometimes hang the whole secret of
some wicked mystery, inexplicable heretofore to the wisest upon the earth! A
scrap of paper; a shred of some torn garment; the button off a coat; a word
dropped incautiously from the over-cautious lips of guilt; the fragment of a
letter; the shutting or opening of a door; a shadow on a window-blind; the
accuracy of a moment; a thousand circumstances so slight as to be forgotten by
the criminal, but links of steel in the wonderful chain forged by the science
of the detective officer; and lo! the gallows is built up; the solemn bell
tolls through the dismal grey of the early morning; the drop creaks under the
guilty feet; and the penalty of crime is paid." (Vol I, chapter 15).
No wonder Lady Audley feels a little poorly after hearing
this. Later she tells Robert Audley: "you ought to have been a detective
police officer." Robert Audley replies: "I should have been a good
one. ... Because I am patient." (Vol I, chapter 18)
In December 1861 Lady
Audley's Secret had been started and partly published. It had been serialized
in Robin Goodfellow from July till September.
It would be continued in Sixpenny Magazine
from January to December 1862. Just before the publication of the novel was continued, on 28 December 1861, Spectator published an article entitled
"The Enigma Novel" which stated: "We are threatened with a new
variety of sensation novel, a host of cleverly complicated stories, the whole
interest of which consists of the gradual unveiling of some carefully prepared
enigma."
This is a pretty good definition of a detective story. Detection
is finding out; OED defines it as
"exposure, revelation of what is concealed" and "as the finding
out what tends to elude notice." My view is that a detective story is a
story which has detection, as defined by the OED as a major theme or interest in the narrative. And a detective
is a character who engages in detection. The detective does not have to
be successful to be a detective, but she or he has to put in the effort to detect.
The term 'detective story' was first used in print to describe a novel (as far as I have been able to determine) by Anna Katharine Green as a subtitle
to her 7 to 12 and X. Y. Z. in 1883.
Some critics maintain it was used in Green's first novel The Leavenworth Case published in 1878, but that is not the case. By
the 1880s, the concept of detective fiction was quite established, and what was
meant by the term 'detective story' was pretty much what we mean by it today. In
December 1886, a year before the first Sherlock Holmes story by Sir Arthur
Conan Doyle, the Saturday Review
published an article entitled "Detective Fiction" about the growing
popularity of "the detective novel." This shows that by now detective
fiction was a recognized genre.
Detectives and detection were already familiar concepts to readers of sensation fiction. "Amateur Detectives" in Saturday Review in February 1868 (at a time when two installments of
Wilkie Collins's The Moonstone, the
celebrated "first" English detective novel, had appeared in All the Year Round) criticized the
deductive method "generally accepted in constructing the well-known
detective in fiction." The article further claims that it is
"absurd" to think that "given any fragment of the universe ... a
person of sufficient knowledge and ability might construct the rest." Two
decades later in 1887, Sir Arthur Conan Doyle would make Sherlock Holmes think
exactly this in A Study in Scarlet.
In June 1863, six months after Lady Audley's Secret completed its serialization, "Detective in Fiction and in Real
Life" in Saturday Review said
that "Of all forms of sensation-novel writing, none is so common as what
may be called the romance of the detective." and talks about "the
normal detective of a sensation novel."
There is reason to think that what started all this excitement
about detective fiction was Wilkie Collins's The Woman in White which appeared in 1860, a year before Lady Audley's Secret. The quote above
from "The Enigma Novel" continues: "Mr. Wilkie Collins set the
fashion, and now every novel writer who can construct a plot, thinks if he only
makes it a little more mysterious and unnatural, he may obtain a success
rivaling that of "The Woman in White."
M. E. Braddon certainly had a go at that.
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