The
case of Marquis de Croisenois is set in motion first: "He will do as we
wish, but under certain conditions. Mademoiselle de Mussidan must be his bride.
... the engagement between Mademoiselle Sabine and the Baron de Breuhl-Faverlay
will be broken off." (Caught in the Net,
Chapter 3) Gaboriau keeps all the plates spinning with impressive skill and
astuteness as the Croisenois plot unravels in chapters with hints and clues to
the Champdoc case. Even if one plot line takes precedence in Caught in the Net, the other plot line is
carried along throughout.
To
achieve Mascarin's goal, the de Mussidans must be blackmailed to change the
plans for their daughter, "Mademoiselle, at her age and with her tastes,
is not likely to have her heart seriously engaged" (Caught in the Net, Chapter 5). Mascarin goes to meet the Count du
Mussidan, while Dr Hortebise has an audience with the Countess.
Mascarin
tells the count that unless he agrees to marry his daughter to De Croisenoois,
Mascarin will bring to light a murder. As evidence Mascarin has three pages in
the diary of Baron de Clinchain, who was present when the Count shot his
secretary Montlouis point-blank. De Clinchain famously writes everything down,
and Mascarin shows the Count photographs of the damning pages (Caught in the Net, Chapter 5). The Count
goes through all counterarguments: madness, a forged diary, the limit of
statute) but Mascarin is more cunning than this. He threatens the Count with a
newspaper article followed by a libel case: "they introduce into the
matter a fifth party, of course an accomplice, whose name is introduced into
the story in the paper. Upon the day of its appearance, this man lodges a
complaint against the journal, and insist on proving in a court of justice, that
he did not form one of the shooting party." (Ibid.)
This
round-about way of threatening the Count with court demonstrates Mascarin's
mastery of law. As he says himself: "the Penal Code ... no on has studied
them more deeply than I have." (Caught
in the Net, Chapter 10) Mascarin
is very aware that if he gets caught he faces life imprisonment (Ibid.) Elsewhere too, there are
references to Mascarin's legal knowledge (Caught
in the Net, Chapters 10, and 25). He also has excellent detective skills,
rivalling those of Sherlock Holmes, as we learn when Dr Hortebise confronts
Countess du Mussidan with the information that letters stolen from her show
that she knows what happened to de Croisenois's brother George when he vanished
twenty-three years ago:
"People
say, remarked he, that Mascarin never makes a mistake. One cannot help admiring
his diabolical sagacity and unfailing logic. From the most trivial event he
forges a long chain of evidence, as the botanist is able, as he picks up a withered
leaf, to describe in detail the tree it came from." (Caught in the Net, Chapter 6)
Mascarin's
actions destroy the family of Mussidan. After the blackmailers have departed,
the Count and the Countess have an almighty domestic: "I could hardly keep my hands from clutching your ivory neck until life was extinct and failed utterly to decide whether I loved you or hated you the most!" (Caught in the Net, Chapter 13) In the course of the heated
argument we learn that the Count's victim, his secretary Montlouis had a child
with a shop-girl, and the Count supported the mother and the child. The scene is
magnificently melodramatic with "the pent-up anger of twenty years." The
argument is vitriolic and convincing, we see the facade of marriage collapsing
before our eyes. And behind the door, Sabine is eaves-dropping on her parents.
What can the poor innocent girl do but to swoon and develop fever? (Caught in the Net, Chapter 13).
"Success,
perfect success!" said Hortebise gayly after is meeting with the Countess.
(Caught in the Net, Chapter 6)
The
scenes with Mascarin executing his plans begin to alternate with those where
his opponents are coming together. This brings suspense and tension into the
narrative, and Mascarin's success begins to look a little less certain.
Mascarin
has not taken into account that Sabine has a secret lover. André is an artist and a
stone-mason, both sensitive and manly. He is a foundling (Caught in the Net, Chapter 7), just like Paul, but that is where
the similarities end, as Paul puts it: "this life of toil and self-denial,
so different from his own selfish and idle career." (Ibid.) Sabine had "dared to cross that social abyss" (Caught in the Net, Chapter 8) and she and
André have been for lovers for two years. Gradually he joins forces with
Sabine's jilted fiancé de Breuhl-Flavery to save Sabine from what the two men
are sure is a forced marriage.
"We
can work well together in our different circles: you, in the world of fashion,
can pick up intelligence that I could not hope to gain; while I from my lowly
position will study the hidden side of his life, for I can talk to the servants
..." André suggests. "M. de Breuhl was delighted at finding
that he could have some occupation which would fill up the dreary monotony of
his life." (Caught in the Net, Chapter
24).
"Now, said André,
...we are on the track of De Croisenois." (Ibid.)
Mascarin, the master villain, very soon learns about André and the threat he
poses:
"What! said he and clenched his hand firmly, 'shall the
headstrong passion of this foolish boy mar my plans? Let him take care of
himself; for if he walks in my path, he will find it a road that leads to his
own destruction." (Chapter 19).
Gaboriau's plotting is excellent. The arrangement of the
scenes and dropping of clues and hints about things to come are well balanced. Minor
characters are used effectively; their appearances are natural rather than
contrived and they stay in character throughout contributing to the plot in a
way appropriate to each one.
We start with the villains appearing invincible, but just as
we think that the du Mussidans are doomed, a band of friends emerges with the
potential to thwart Mascarin.
De Croisenois's debts, George de Croisenois's mysterious disappearance, Sabine and André's fate, du Mussidans' marriage, and André and Paul's
parentage and Paul's role in Mascarin's plot are all left open at the end of Caught
in the Net. In the last chapter, Mascarin shifts the focus of the
narrative, he shows his fellow-villains an encrypted note from Duchess de
Champdoce pleading "Give me back our son," with a scribbled answer
"No." The story continues written by Mascarin himself, and read by
Paul Violaine "in a voice which quivered with emotion" (Caught in the Net, Chapter 27): Mascarin
"... opened a drawer, and drew from it a large pile
of manuscript, which he waved over his head with an air of triumph."This
is the greatest work I have ever done."" He hands it to Paul and tells him
to read it carefully "Let nothing escape you, for there is not one item
that has not its importance." (Ibid.) Good advice for Gaboriau's writing. The title of Mascarin's manuscript is The
Mystery of Champdoce" just like the title of the second volume of this sensation
novel.
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