Volume 2 of
Acquitted takes place 18 years after
the opening chapters and moves the action from Cornwall to London. Mary is
still the childhood sweet-heart of Paul Penryn, who is not the central
character in the novel. He finds out how Sligo Downy so wickedly relieved Mr
Penryn of his assets through a simple mistake of letters switched in their
envelopes:
(Acquitted, Vol. 3, Chapter
2).
Paul feels compelled to restore his father’s honour. He gives up on
any plans to go to university and takes a job in London to earn money. He is
employed by Mr Cottrell, a self-made man with an import-export business of some
unspecified kind and a large accounting house. Fortunately, Mary is in London,
too. She is a nurse-companion to Jasper Ardennes, who is slowly dying of
consumption. Paul, Mary and Jasper all become good friends.
Acquitted has one significant subplot: Paul’s career in London and his
relationship with Mr Cottrell and his daughter Rhoda, who falls in love with
Paul (Acquitted, Vol. 2, Chapter 9). Although
this occupies much of volume 2, it does not contribute to the main plot and
opportunities are missed. The love triangle of Rhoda, Paul and Mary is not used:
Paul rejects Rhoda promptly in a gentlemanly fashion (Acquitted, Vol 3, Chapter 11).
There is also the potential love
triangle of Mary, Jasper and Paul, but again, Paul is too good a man to allow the
plot to make much of this. Once and only once does Paul experience a pang of
jealousy (Acquitted, Vol 2, Chapter
5). Mary assures him:
“I could never love him as a
woman ought to love the man she marries. He is younger than I am, and somehow I
cannot look up to him.” (Ibid.)
This is enough for Paul and from
now on, with Jasper’s fading health, Paul only feels pity and love for him. Thus,
Smythies lets marvellous potential for plot tension and twists to slip through
her fingers. Romantic entanglements are clearly not what she is interested in.
Instead of
focusing on the romantic lead characters, the narrative develops curious
tangents. We get a lively portrait of the life of young clerks in the counting
house. There is an amusing episode with fashionable, tight boots that casts
Paul in the role of Cinderella with his fellow-clerks Brymer and Fisk as the ugly
sisters (Acquitted, Vol 2, Chapter
10), with Rhoda Cottrell presumably as the prince. A whole chapter is devoted
to Paul examining the statues in St Paul’s cathedral and giving us a meditation
on heroes of the British Empire: Samuel Johnson; Nelson; John Howard, the philanthropist
and Reginald Heber, Lord Bishop of Calcutta. In the end, Lord Derwent arrives,
invited Paul to dinner and heads off to visit a statue of his ancestor “Lord
Rodney” (Acquitted, Vol 2, Chapter 12). Is this an illustration of a social gap between Paul Penryn and Lord
Derwent? Or is this an ironic comment on Paul being closer in spirit to the
imperial heroes, while Lord Derwent is a degenerate offspring of a morally
heroic ancestor? Paul’s attempts to earn money by writing for the Cheapside magazine take up two chapters
with no link to the rest of the novel (Acquitted, Vol 2, Chapters 3 and 11); this is the author having a dig at the
periodicals industry. There is a loose end of plotting in Volume 1, where much
is made of local politics, with the election of the local MP imminent (Acquitted, Vol 1, Chapter 10). This
plot line is completely abandoned in the rest of the novel, and it may well
mark the four-year break in the writing process.
These motivations appear largely
logical and plausible, except for Minna’s decision to hide in the vicarage for
18 years and wait for Lord Derwent’s father, Earl of Altamount to die before
revealing the secret of her existence and triggering the resolution of the plot.
This is the structural weak point of the whole fictional edifice built by Mrs
Gordon Smythies. Two secrets must come to light for the novel to have its
resolution: Minna must discover that Mary is her daughter – the reader of
course has figured this out from the start, and Minna must make her presence
known to the community. The first secret leads to probably the most spectacular
and sensational scene of the whole novel towards the end of Volume 3 (Acquitted, Volume 3, Chapter 16), where
Dan Devrill, the resident evil of the novel, makes his final appearance. The
second secret is not handled quite so well.
Lord Derwent worries when his
father falls ill:
(Acquitted, Vol. 3, Chapter 4). He hatches a plan to have Minna
removed to Vaneck’s private madhouse in Rotterdam (Ibid.). A little later, he comes across Minna in her favourite “bower”
by the coast and asks her to keep her existence secret for Jasper’s sake:
(Acquitted, Vol 3, Chapter 9)
Minna swears in turn keep the vow
she has given to keep the marriage secret while Lord Derwent's father is alive:
(Ibid.)
This is clearly a death sentence for two generations of
Altamounts. The novel will have its resolution, and since Mary is a good woman
who keeps her vows and cannot betray even a bigamous husband, at this point we
can be pretty sure that both Jasper Ardennes and The Earl of Altamount are
doomed. Minna is saved by a whisker: Minna learns of Mary’s true identity. And
as “a funeral bell tolled mournfully and heavily” for Earl Altamount’s death, Minna
“prays for guidance” and tells her father everything. In that same night, Jasper
has died. The timings are interesting: Minna and her father toast to the “the
health of the Countess of Altamount and Lady Mary Ardennes!” and Minna has
decided to declare herself as soon as she learns about Mary, before she knows
about the deaths of the Earl and Jasper. The narrative suggests that Minna only
kept hew vows and obeyed her husband due to a happy coincidence of two speedy
deaths.
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